As part of the Rogue Critic's evolving efforts to cover as much theater as possible within a large geographical area teeming with culture, this season will see the end of re-reviews. Co-productions among theaters will receive a single review, and revivals of past productions will also escape the sting of the critic's lash.
The very fact that a theater elects to revive a recent production for another run suggests a measure of commercial and critical success — in essence, such shows generally have something excellent to offer. In keeping with this logic, I will be disappointed not to take my seat at the twice-returning Evil Dead: The Musical, mounted by Who Wants Cake? and Olympia Entertainment at the City Theatre in Detroit. This site's archives already boast not one, but two reviews of Who Wants Cake?'s delectably messy slapstick-horror efforts: one from the 2010 production, also at the City Theatre, and another from the initial 2009 production at the Ringwald.
Readers should keep in mind that these are past reviews; some of the players have changed, and the show has a new director in Michelle LeRoy, who has previously designed lights and effects. (Also notable among the differences from last year's show is the price point: all tickets are general admission at a flat $22, so everything — including the heralded splatter zone — is first-come, first-serve.) But with the same venue and much of the same creative team, these reviews should give any potential viewer a sense of what can be expected in this year's production.