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Live theater. Unsolicited commentary.
From Detroit to Lansing.

Carolyn Hayes is the Rogue Critic, est. late 2009.

In 2011, the Rogue attended 155 plays, readings, and festivals (about 3 per week) and penned 115 reviews (about 2.2 per week).

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The Abreact (Detroit)
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The AKT Theatre Project (Wyandotte)
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Go Comedy! (Ferndale)
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Hilberry Theatre (Detroit)
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Matrix Theatre (Detroit)
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Tipping Point Theatre (Northville)
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Entries in Jewish Ensemble Theatre (16)

Sunday
Nov082009

The Blank Page

The writing process is difficult to translate into theater, because so much of it is deeply private and not easily put into words. Kitty Dubin's The Blank Page, in its world premiere at the Jewish Ensemble Theatre, uses a writer's professional and personal relationships to give the audience a better view, and very nearly triumphs.

Novelist Amy Kaplan, played here by a guarded Sarab Kamoo, is facing a three-month deadline for her second novel. The play covers those three months and ends on the deadline day. Meanwhile, her rabbi husband appears to give little more than lip service in supporting her, and a headstrong, youthful graduate student serves as a walking reminder of the vigor Amy had when she wrote her first, bestselling novel. Despite the play's title, there is a book in place at the beginning of the play; Dubin avoids clichés like writer's block, instead showing the audience a professional, disciplined scribe and her attendant insecurities.

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