Meet the Rogue

Live theater. Unsolicited commentary.
From Detroit to Lansing.

Carolyn Hayes is the Rogue Critic, est. late 2009.

In 2011, the Rogue attended 155 plays, readings, and festivals (about 3 per week) and penned 115 reviews (about 2.2 per week).

Contact: Email | Facebook
RSS: All | Reviews only | Rogue's Gallery

Search R|C
Theaters and Companies

The Abreact (Detroit)
website | reviews | 2011 SIR

The AKT Theatre Project (Wyandotte)
website | reviews

Blackbird Theatre (Ann Arbor)
website | reviews | 2010 SIR

Detroit Repertory Theatre (Detroit)
website | reviews

The Encore Musical Theatre Co. (Dexter)
website | reviews

Go Comedy! (Ferndale)
website | reviews

Hilberry Theatre (Detroit)
website | reviews | 2010 SIR

Jewish Ensemble Theatre (West Bloomfield)
website | reviews

Magenta Giraffe Theatre Co. (Detroit)
website | reviews | 2010 SIR

Matrix Theatre (Detroit)
website | reviews | 2010 SIR

Meadow Brook Theatre (Rochester)
website | reviews

Performance Network Theatre (Ann Arbor)
website | reviews

Planet Ant Theatre (Hamtramck)
website | reviews

Plowshares Theatre (Detroit)
website | reviews

Purple Rose Theatre Co. (Chelsea)
website | reviews

The Ringwald Theatre (Ferndale)
website | reviews

Tipping Point Theatre (Northville)
website | reviews | 2010 SIR

Threefold Productions (Ypsilanti)
website | reviews

Two Muses Theatre (West Bloomfield Township)
website | reviews

Williamston Theatre (Williamston)
website | reviews

Archive

2013

2012

2011

2010

2009

Entries in Elizabeth Theatre (2)

Thursday
Mar212013

Measure for Measure

Muddled Shakespeare dramedy strains to measure up, reproduced with permission from EncoreMichigan.com.

Detroit's Elizabeth Theater Company, reaffirming its dedication to Shakespeare, now returns to the Bard for the second time with "Measure for Measure." In most respects, the production revisits the precedents set by the company's initial 2011 production of "The Tempest," including many of the same actors and creative staff and ringleader Jerry Belanger, director/performer/designer of many hats. Here, however, the rockier source material proves less forgiving in the execution.

Click to read more ...

Friday
Dec232011

The Tempest

After playing host to outside companies and productions at its upstairs venue, the Park Bar Theater now introduces its own producing company and marks the grand opening with a classic take on William Shakespeare’s The Tempest. Project mastermind, entrepreneur, and venue owner Jerry Belanger also directs the inaugural production, the result of large-scale work and investment that showcases the potential of the space, although its finest achievements of mirth and wonder prove transient rather than continuous.

Now extensively remodeled, the theater represents a Detroit-style makeover of a repurposed raw space: rough walls and exposed conduits are starkly contradicted by a unique teardrop-shaped bar, hardwood floors, and comfortable graduated seating. Any doubts about the technical credentials of the theater are dispersed by sound designers Mikey Brown and Joe Kvoriak’s first cinematically glorious thunderclap and lighting designer Michael Rollo’s inundating lightning. The initial scene throws the audience into the tempest with the passengers and crew of a ship, which founders and casts its inhabitants into the brine — an ingenious set detail by designers Belanger and Rollo helps communicate the mayhem and desperation of tumult at sea that is so difficult to transport to the stage. Unbeknownst to the ship’s inhabitants, who wash up on an island apparently devoid of civilization, this storm was far from a random vagary of the weather. Rather, it was intentionally conjured by the banished duke Prospero (Pat Loos), who has raised daughter Miranda (Katie Terpstra) in seclusion on the island for more than a decade, carefully plotting revenge on his usurpers that is now coming to fruition.

Click to read more ...