Meet the Rogue

Live theater. Unsolicited commentary.
From Detroit to Lansing.

Carolyn Hayes is the Rogue Critic, est. late 2009.

In 2011, the Rogue attended 155 plays, readings, and festivals (about 3 per week) and penned 115 reviews (about 2.2 per week).

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Theaters and Companies

The Abreact (Detroit)
website | reviews | 2011 SIR

The AKT Theatre Project (Wyandotte)
website | reviews

Blackbird Theatre (Ann Arbor)
website | reviews | 2010 SIR

Detroit Repertory Theatre (Detroit)
website | reviews

The Encore Musical Theatre Co. (Dexter)
website | reviews

Go Comedy! (Ferndale)
website | reviews

Hilberry Theatre (Detroit)
website | reviews | 2010 SIR

Jewish Ensemble Theatre (West Bloomfield)
website | reviews

Magenta Giraffe Theatre Co. (Detroit)
website | reviews | 2010 SIR

Matrix Theatre (Detroit)
website | reviews | 2010 SIR

Meadow Brook Theatre (Rochester)
website | reviews

Performance Network Theatre (Ann Arbor)
website | reviews

Planet Ant Theatre (Hamtramck)
website | reviews

Plowshares Theatre (Detroit)
website | reviews

Purple Rose Theatre Co. (Chelsea)
website | reviews

The Ringwald Theatre (Ferndale)
website | reviews

Tipping Point Theatre (Northville)
website | reviews | 2010 SIR

Threefold Productions (Ypsilanti)
website | reviews

Two Muses Theatre (West Bloomfield Township)
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Williamston Theatre (Williamston)
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2009

Entries in Go Comedy! Improv Theater (16)

Tuesday
Dec152009

Miracle on 9 Mile Street

O holy crap, is there a lot of content in Miracle on 9 Mile Street. For its first original holiday sketch show, Go Comedy! digs deep, with scenes that range from one-line jokes to musical numbers — blending puns, parodies, sight gags, and wacky characters into a sampler of sterling comedy. Barreling on a considerable wave of forward momentum, the ninety-minute revue hits plenty of high notes.

Under the direction of Michelle and Tommy LeRoy, the show's framework resembles the Second City mold: there is no plot, and almost no recurring characters. Instead, Miracle free-wheels variations on the holiday theme. Each sketch is polished and strong, the point of view is fresh, and the action rarely drags. Although most scenes had a familiar structure and length, one longer and quite ambitious time-shifting scene landed a sucker punch of tenderness that was a welcome counterpoint to the surrounding mania.

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