Meet the Rogue

Live theater. Unsolicited commentary.
From Detroit to Lansing.

Carolyn Hayes is the Rogue Critic, est. late 2009.

In 2011, the Rogue attended 155 plays, readings, and festivals (about 3 per week) and penned 115 reviews (about 2.2 per week).

Contact: Email | Facebook
RSS: All | Reviews only | Rogue's Gallery

Search R|C
Theaters and Companies

The Abreact (Detroit)
website | reviews | 2011 SIR

The AKT Theatre Project (Wyandotte)
website | reviews

Blackbird Theatre (Ann Arbor)
website | reviews | 2010 SIR

Detroit Repertory Theatre (Detroit)
website | reviews

The Encore Musical Theatre Co. (Dexter)
website | reviews

Go Comedy! (Ferndale)
website | reviews

Hilberry Theatre (Detroit)
website | reviews | 2010 SIR

Jewish Ensemble Theatre (West Bloomfield)
website | reviews

Magenta Giraffe Theatre Co. (Detroit)
website | reviews | 2010 SIR

Matrix Theatre (Detroit)
website | reviews | 2010 SIR

Meadow Brook Theatre (Rochester)
website | reviews

Performance Network Theatre (Ann Arbor)
website | reviews

Planet Ant Theatre (Hamtramck)
website | reviews

Plowshares Theatre (Detroit)
website | reviews

Purple Rose Theatre Co. (Chelsea)
website | reviews

The Ringwald Theatre (Ferndale)
website | reviews

Tipping Point Theatre (Northville)
website | reviews | 2010 SIR

Threefold Productions (Ypsilanti)
website | reviews

Two Muses Theatre (West Bloomfield Township)
website | reviews

Williamston Theatre (Williamston)
website | reviews

Archive

2013

2012

2011

2010

2009

« A Day in Hollywood/A Night in the Ukraine | Main | Love Song »
Wednesday
Oct052011

Returning production — Evil Dead: The Musical

As part of the Rogue Critic's evolving efforts to cover as much theater as possible within a large geographical area teeming with culture, this season will see the end of re-reviews. Co-productions among theaters will receive a single review, and revivals of past productions will also escape the sting of the critic's lash.

The very fact that a theater elects to revive a recent production for another run suggests a measure of commercial and critical success — in essence, such shows generally have something excellent to offer. In keeping with this logic, I will be disappointed not to take my seat at the twice-returning Evil Dead: The Musical, mounted by Who Wants Cake? and Olympia Entertainment at the City Theatre in Detroit. This site's archives already boast not one, but two reviews of Who Wants Cake?'s delectably messy slapstick-horror efforts: one from the 2010 production, also at the City Theatre, and another from the initial 2009 production at the Ringwald.

Readers should keep in mind that these are past reviews; some of the players have changed, and the show has a new director in Michelle LeRoy, who has previously designed lights and effects. (Also notable among the differences from last year's show is the price point: all tickets are general admission at a flat $22, so everything — including the heralded splatter zone — is first-come, first-serve.) But with the same venue and much of the same creative team, these reviews should give any potential viewer a sense of what can be expected in this year's production.

Evil Dead: The Musical is no longer playing.
For the latest from the Ringwald Theatre (formerly Who Wants Cake?), click here.
For the latest from City Theatre, click here.